Tech Talk

tedtalk I’ve been invited to give a TED talk in May, admittedly, only a TEDx talk but nevertheless the idea of being on stage talking to 1000s of viewers, potentially millions, is nerve wracking for me. To get me in the picture, I have been watching some of the more popular TED talks already out there. Trouble is, every topic I think about has been presented already, and often very well. Nearly every angle about the good and bad effects of technology has been covered. The key is to make the narrative sound fresh and original and use your own research findings to make the points. Here is my first attempt at an outline.

I want to talk about how smart technology makes us stupid and how simple technology makes us clever. The question is one of framing. Make technologies that do things for us and we forget how to do them ourselves. Design technologies that encourage people to make better decisions in their lives and enable them to be happier, more engaged and empowered.

Every week there is a new book, blog or sound bite that espouses a view on how technology is making us, on the one hand, dumber, shallower, addicted, more alone, and overloaded, while on the other, it is assumed it can make us better informed, more connected, resourceful and more aware. Some argue that it is improving our brains, others that it is destroying our cognitive faculties. It seems many of us can’t write anymore, let alone remember our phone number. And yet a multitude of apps claim they can help us to make snap decisions, be more creative and have richer and more satisfying lives.

An adjective that has been much bandied about, but in my view is well past its sell by date, is ‘smart’. From smart phones to smart cities, smart cars to smart meters, and smart homes to smart grids… Everywhere you look in the tech world, you see smart this, smart that… The list of smart gadgets is mind boggling. There are smart pillows that analyse your sleep and smart shoes that tell you to stop being lazy. There is even a ‘smart dog’ Wandant device that tracks how far your pooch has walked and its stress levels. It claims to be “the world’s first obesity monitoring system for dogs” and, yes, it has a “smart-collar” that uses mobile phone sensor technology to do the monitoring and measuring.
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Tech companies, governments, researchers and the like are all trying hard to make people, the environment and the world smart through these kinds of technologies. But who are they kidding? They are not smart. They don’t think for themselves or walk the dog for you. Somehow we think by using the word smart we have elevated the technology into being clever, intelligent and autonomous. My colleague Adam Greenfield, poignantly noted 7 years ago in his prescient book Everyware: “We simply don’t do smart very well yet.”

Moreover, those that act on our behalf can make us mentally lazy. Gadgets and apps in the form of cognitive aids, mean that we no longer practice certain skills, be they our multiplication tables, our map reading skills or are ability to remember birthdays, numbers or appointments. “I’ve lost my dart’s faculty” I joked to a colleague the other day, when trying to work out how much a meal split three ways would cost each of us. There is a worry that our increasing reliance on GPS/satnav to tell us where to go will mean we lose the ability to read proper maps – most of us only use ones with cars and people icons that jump along yellow moving road lines. How many of know how to use a compass? There is also the problem that we may soon lose our ability to remember numbers, lists, birthdays and so on. Gone are the days of reciting.

So why does the relentless move to make technology smart persist? An article published last month in the Wall Street Journal by Evgeny Morozov, cleverly entitled “is smart making us dumb?’ splits technologies into bad smart and good smart. Bad smart includes gizmos that suppress behaviours that are considered undesirable, such as vibrating forks that tell us to not to eat so quickly, cars that tell us to drive slower because it is raining and toothbrushes that tell us to brush our teeth more. Good smart leaves us in control of our actions and where gadgets are designed to empower by providing the right kind of information at the right time – just enough to nudge us in the right direction. I was pleased to see that Evgeny Morozov mentioned one of our projects as an example of good smart – where we developed the lambent shopping handle that is intended to enhance decision-making by informing shoppers of the nutritional benefits and food miles (or other dimension someone cares about) using simple LEDs and smiley faces, representing social norms. Instant information presented in a playful and useful way. No overloading, no pressure and no atrophying of the brain. As our tongue in cheek video below shows it boils down to designing simple interfaces that can facilitate fast and frugal decision-making. Our philosophy is less is more and simple is powerful. That is how you can make people clever.

Future Fashion

makey makey with grapes Where does work finish and fun begin? I’ve been playing with a Makey Makey kit that turns everyday objects into touchpads. As mentioned in an earlier blog my aim is to encourage elderly folk to see what they can make using it and to see if they can then teach kids how to create using it – inspiring a younger generation to unleash their ideas.

My first effort was to play a drum kit using fruit: I started playing with grapes, then apples and finally tomatoes as my inputs. It was really easy to map them onto the online software program. And when the grapes started sounding like drums it reminded me of when I got my very first computer program to work! Moreover, there was something very childlike and pleasurable in squeezing grapes and tomatoes to make different drum sounds. I then moved onto a digital keyboard. Equally, it it was just as much fun to make a simple piano melody by squeezing grapes and tapping tomatoes. Whatever next? My mind went into overdrive and I started thinking of assembling a fruit orchestra…

Part of the fun with using this kind of electronic toolkit, with fruit and salad as the input, is discovering something new about the world. In this instance, it got me thinking about how conductive different materials are – since this makes a difference to how well they act as input devices. I started off testing out plastic salad serving spoons but that was a clear no-no, whereas when I tried with the grapes I discovered they were very conductive. Apples were somewhere in between. It also led me to look into the fridge to see what else I could experiment with – cucumber, mustard, falafels, cheese, bread, chocolate… so many possibilities. Not only does Makey Makey make you think creatively it also helps you begin to understand some of the principles behind basic electronics.

(I know the video is amateur but it was tricky holding my phone camera, the earth wire and playing the fruit all at the same time.)

I’ve been looking recently at how others have been embedding technology into everyday objects. One of the latest trends is fashion. While, wearable computing has been around for several years, new and affordable electronic materials, such as LEDs, thermoconductive paints, longer life batteries and so on, are providing a richer palette for fashion designers to work with. One start-up ‘fashion and technology’ company called Studio XO, are leading the way. They have been creating and engineering interactive clothing that is stunning to look at and marvelous to wonder about the techno-gubbins behind it. Last month when I was in London, I went to a talk given by the co-founders, Nancy Tilbury and Ben Males, in the very fashionable Soho House club. It was packed to the rafters with fashionista and technology hipsters from all over London – standing room only.

Nancy and Ben were interviewed in a Q&A format by some cool dude who worked for crane.tv (an online video magazine for contemporary culture). After showing a short video they had made, they talked about their ideas and demonstrated their digital mermaid bra designed especially for Azealia Banks Fantasea Tour. It was studded with hundreds of blue and clear crystals interwoven with LEDs, which diffracted light among the crystals, animating them in time to music that was controlled by a pre-programmed circuit. Quite stunning. They also showed a Sneaker shoe they had embedded with various electronics, including a small LCD on the tongue that displayed an animated Puma running across it and various other LEDs in the sole and heal that lit up, depending on what the shoe sensed and did. Many of their designs are one-offs customized for rock bands and popstars. What they are now trying to do now is work out how to move on from one-off commissions to the mainstream clothing market.
Studio XO LED trainers At the end of their interview with crane.tv the audience, strangely, were baying for their blood. “How is it fashion? How is it different from Christmas tree lights?” one member asked? Another wanted to know why they were not creating more down-to-earth, health-related clothing that could improve the lives of millions of people, such as vests that could fend off mosquitos, thereby reducing malaria in Africa. Another wanted a suit that would grow with his expanding waistline and change to match his clothing needs rather than twinkle to reflect his emotions and moods. Others wanted more sustainable and durable clothing. Still others could not see how this kind of fashion technology could become mainstream, H&M clothing. Who would pay the extra for gear, that displayed digital content, other than a few trendy night clubbers?

Nancy and Ben, I thought, had a really tough time under the London fashion spotlights but defended their patch and position very well. I also thought their creations were highly original, pushing the envelope of fashion and technology in innovative ways, and, importantly, were a real pleasure to look at. Aesthetics still plays a vital role. Having digital content appear in various forms on your clothing in ways that the wearer can upload and control offers much potential for individual creativity and personal style. Maybe I am naïve, but I can see their push into mainstream fashion taking off … if only others could be less cynical.

I’ve also recently been exploring how technology can play a role in enhancing the dining experience. Similar arguments surface. We ran a workshop at the end of last year at the John Salt restaurant – that Ben Spalding was the resident chef at the time, experimenting with his creative and quirky pop-up dining experience. The questions raised at our workshop were many, but included does augmenting food with digital technology, such as lights, sounds and other media enhance the eating experience or does it serve simply to titillate? Moreover, might it distract and even get in the way of the enjoyment of eating? What does new technology, in its various guises, add that other ways of contextualizing the eating experience (choosing the seating, the cutlery, the lighting, the colour, the music, etc…) can’t already do. Is it just another gimmick? Or are we onto something quite new?

it seems there is a fine line between fad and fun when it comes to fashion and food. But there is much to be gained working out how best to mix technology with everyday materials to make the combination valuable, pleasurable and worthwhile.

Facing Fear

eureka-skydeck88We are creatures of habit. We slip readily into routines, from the paths we take to how we make tea. For many, it is because it is comforting and reassuring giving us our sense of self and identity. For some, it is because of their aversion of risk and reluctance to try out new things in case of undesired outcomes. We tend to stick to what we know, preferring to remain in our comfort zones.

At the same time, many of us would like to be happier, more creative and live more fulfilling lives. But wisdom and words suggest that entails us taking risks and doing something different. We’re told part of the trick is to set grand challenges and life goals that we can then aim for. Self-help books and websites push the language of the journeys we need to take to attain them and the steps along the way. There are lots of lifestyle apps, too, that promise to help you live your dreams and be happy. One I just stumbled across is aptly called, Everest, claiming it can help you “break goals into small steps, build step streaks, learn from others, and beautifully capture your journey from dreaming to doing.”
everest
Seeing one’s dreams and aspirations in ‘step streaks’ is like ticking checkboxes or crossing off lists. There is a degree of satisfaction in doing this. But, as I have discovered on my travels, there is another side to living our dreams – not the small steps up the mountain but the big ones down it. That includes facing our fears.

When I was in Cape Town, I finally overcame a lifetime fear of putting my head under water. Ever since I was a young child, I’ve associated it with terrifying feelings of suffocating and drowning. It comes as no surprise that my idea of hell is scuba diving. I remember the mushroom swimming floats we were taught to do at school. I could never quite grasp my legs and let go in the way my schoolmates did so effortlessly. The same with sitting on the side of the pool when learning to dive. I was hopeless, not even managing a belly flop. After school compulsory lessons, I simply avoided putting my head under, opting instead for the tortoise head swim.

So how did I get over it? The family I was staying with had a swimming pool and each day, 8 year old J, would jump in the pool and swim like a porpoise, encouraging and cajouling me, “Hey Yvonne, come on, put your head under water.” He showed me how to do it. And each day I did it for a little while, even when it gave me ‘stinky’ eyes due to too much background chlorine. Somehow putting my trust in someone much younger seemed to do the trick. Then during my last week, a group of us (adults and children) went to a stunning beach for a final swim and snorkel. I bravely put on my goggles and made a few efforts to hold my breath and look underneath at the seaweed. It was quite choppy because of the wind so I kept popping my head out when no-one was looking. I followed them up onto the rocks, and suddenly I found myself on a precipice that felt like it was 4 meters high. The rest had all jumped in, with the exception of J., who was behind me. I looked down at the swirling seaweed beneath me and the taste of metal tin fear entered my mouth. J. could sense my terror and softly said “Come on Yvonne. Jump.” – I hovered, quivered and mumbled for what seemed like an eternity.

Then I jumped (that is not me but it is the rock!).

the rock
I felt a tremendous rush all around me, my body accelerating downwards, sucked into a vortex, and a swishing loud noise in my ears. An enormous fear of drowning enveloped me. I did not know when or how I could stop my body being propelled at top neck speed downwards. I had to wait for my body to stop and reverse back up. In that moment of eternal speed I understood my fear. As I plunged deeper and deeper I wondered if I could hold my breath for much longer. And then I missed the moment of turn. When, finally, my head whooshed out of the sea there was a mighty roar – not from within but from my friends cheering me on.

For days afterwards I marveled at what I had done. Overcoming and understanding the reason for a lifetime fear – however, trivial to others – is like climbing Everest. What next?

eurekaMy next is to overcome a fear of heights. Many of us suffer from some form of vertigo. It goes against our natural instincts to go near an edge we could fall off and yet others love it – base flyers, bungee jumpers and sky divers crave that adrenalin rush. You wont get me doing any of those extreme sports – not just yet. However, on arriving in Melbourne yesterday, as the next stage of the dream fellowship, I discovered my apartment is on the 61st floor of a modern high-rise block, called Eureka Tower. It has a balcony with stunning views. The concierge who showed me how everything worked in the apartment opened the door to the balcony but would not step out himself. I gingerly did but came straight back in. Since, I’ve made about 20 attempts now to go back out there and hold on. Today I even held onto the glass at the edge of the wall and looked down a crack that goes all the way down. Somehow, it does not seem that bad.

What next?

There is a skydeck much higher up the tower on the 88th floor, with a glass box hanging over the edge. You walk out on your socks and look down beneath your feet at the world below. For many, it is yet another thrill but for the concierge and myself it will take a lot of nerve to ‘step streak’ that one. I have two months to do it in.
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